Showing posts with label ADULT. Show all posts
Showing posts with label ADULT. Show all posts

Wednesday, May 29, 2013

The vice beat


Crickets, Shanghai, China

Over at my Forbes blog, I'm working the vice beat. Yesterday, I posted about cricket fighting, and today I'll have a post that's best described as: Is that a gun in your bra or are you just happy to see me?

The vice beat covers a lot of territory -- gambling, alcohol, tobacco, weapons, adult. But it can also include any business sector that a portion of the people view as having a negative impact on our culture. Illegal drugs, for example. Some people consider food a vice these days. I wrote a post awhile back on whether or not Apple is a sin stock.

Got tips on any subjects, people, or stories that you'd like to see explored on SIN INC? Email me.

Monday, June 13, 2011

I go long

Slate has a round up of some of the best long-form stories on the adult movie industry, including mine, in "The Longform.org Guide to the Porn Industry."
They Shoot Porn Stars, Don't They?
Susannah Breslin • They Shoot Stars • October 2009
A self-published snapshot of the industry following the Great Recession:

"Three years ago, Powers shot four to five movies a week. Nowadays, he's lucky if he shoots two a week. Like many other businessmen, he's been forced to cut corners. Ergo, the 'life support system for a penis' of yesteryear has been replaced by the lower maintenance RoboCock."
[READ]

Monday, May 16, 2011

The new limited edition


Over at Forbes, I wrote about a porn star who published a memoir with a very unique limited edition twist.
A new limited-edition book by an adult film star aims to sell copies by offering buyers something they won’t find elsewhere.

Girlvert: A Porno Memoir is priced at a whopping $200 and limited to a mere 50.

So, what’s the twist?
[Read it]

Thursday, May 5, 2011

What war journalism and porn journalism have in common


In my latest on my Forbes blog PINK SLIPPED, I write about what war journalism and porn journalism have in common.
"If you start a noble effort and encounter problems, and just stop — it is wrong," the Daila Lama said in a speech yesterday as he accepted a humanitarian award from Amnesty International, Xeni Jardin writes. The flip side of the emotional consequences of writing about those states that exist beyond the pale is that as much as they are trauma sites, they are also thrilling places to be. For a certain type of journalist, this is our crack. It is difficult to replicate the high. You are drawn like a moth to a flame. You dream of return. Just one more time.
[Read it]

Tuesday, April 26, 2011

Make that sausage


I've posted part four of my "How Your Journalism Sausage Gets Made" series. People are really enjoying it. Which is nice. They came for the strip club, they stayed for the philosophical banner.
The strip club owner spots me sitting at the bar, where I am waiting for him. I wonder if he knows it’s me because of my camera bag on the bar stool next to me, or because the door girl pointed me out to him.

I stand up and shake his hand. I’m 6′1″. He is considerably shorter than me. I wonder if that’s a good thing or a bad thing.
[Read it] (Video via Tits and Sass)

Wednesday, April 20, 2011

How your journalism sausage gets made, part one


I'm doing a series on my Forbes blog PINK SLIPPED in which I chronicle the making of a story on the strip club economy.
Next, I began to formulate a series of questions in my mind. How is the gentleman’s club business? Is business good, or is business bad? Are dancers making what they were before 2008, or are they struggling? How do managers who have been in the business for a long time see the business as doing, comparatively-speaking? Are more customers coming in these days or fewer? What are the customers looking for — escape, fantasy, excitement? Are dancers paying their mortgages with the money they make, and what’s it like to be a businesswoman when your business is your body? The tech industry is a big player in this region. What can we learn about the tech industry from the way its employees are spending their money at strip clubs?
[Read it]

Tuesday, April 19, 2011

What's coming down the pipeline


Tomorrow, I'll be heading over to a gentleman's club for some original reporting on the state of the strip club economy.

I'll be publishing that and related data on my Forbes blog, PINK SLIPPED.

Keep an eye out for it.

Thursday, April 14, 2011

The sausage factory


I wrote a piece for YourTango on how tough the adult movie industry is on those who work in it.
The porn industry has succeeded in selling a new story about itself – that it's a business like any other. But, especially for those who perform in it, it is back-breaking, emotionally exhausting, deeply challenging work. Of course, you don't know that unless you're around when it's being made, and most outsiders don't know what it's really like inside the porn machine.
[Read it]

Tuesday, April 12, 2011

Reality TV's strange new twist


Over at Salon, Tracy Clark-Flory interviewed me about the strange new world of reality TV porn.
"It's the perfect marriage," Susannah Breslin, a journalist who has covered the porn industry for several years, tells me. "I've always seen reality TV as being a lot like porn -- it's emotional porn." She says both can provide a way "of getting off on other people's desires or failings" -- not to mention their desperation and humiliation. Both thrive on its stars' self-exposure, which is driven by audiences' insatiable voyeurism. "The only thing that surprises me is that it took so long," she says. "This is the beginning of something that I think will be common in just five years. Eventually, the idea of a reality TV show that doesn't have graphic sex in it will seem antiquated and prudish."
[Read it]

Monday, April 4, 2011

The Great Recession


The Atlantic's Alexis Madrigal was kind enough to give a shout-out to "They Shoot Porn Stars, Don't They?" as guest editor of Longform.org today.
Breslin’s unflinching and devastating investigation of the porn industry in Los Angeles would be at home in many an excellent magazine. But Breslin didn’t go that route. Instead, she built a custom site that presents the story with her photographs and design.
NB: The TSPSDT site was illustrated, designed, and built by Chris Bishop.

[Read it]

Sunday, April 3, 2011

They Shoot Porn Stars, Don't They?

This summary is not available. Please click here to view the post.

Thursday, March 24, 2011

New post on my Forbes blog PINK SLIPPED: When your personal brand is porn


A new post is up on my Forbes blog PINK SLIPPED. This time, I tackle what it's like to look for a job and when prospective employers google you, all they find is porn. It's: "How to Reinvent Your Personal Brand When Your Personal Brand Is Sex."
If, like me, you’re searching for a new job, you’re probably already aware that potential employers who receive your resume are likely googling you to find out whether or not they want to hire you.

But what if those potential employers google your name, and what they find is … sex?

In my case, that’s exactly what happens.
[Read it]

Tuesday, March 1, 2011

Charlie Sheen's "porn family" dream


Salon's Tracy Clark-Flory interviewed me about Charlie Sheen's recent assertions that he would like to have his very own "porn family."
Susannah Breslin, a journalist who spent several years in the San Fernando Valley reporting on the adult industry, speculates that his dream of having a "porn family" is "actually a fantasy about a world in which one is understood completely, every move is a performance, and no one will judge you, regardless of how destructive or self-destructive you are."
[Read it]

Thursday, January 13, 2011

I get email

Hi Susanna

I just finished reading "They Shoot Porn Stars Don't They?" and I really enjoyed it.  It's a great piece.  

I thought you would want to know that I picked up a mistake on page 8.  The sentence "Since business fell off, there are less opportunities for women to get work in the adult movie industry." should read "Since business fell off, there are fewer opportunities for women to get work in the adult movie industry."  My girlfriend has made me hyper sensitive to grammar and count nouns.

Anyway, all the best with your future work.

[Redacted]

Tuesday, December 7, 2010

The art of self-publishing


I read with interest a Cory Doctorow post on Boing Boing today in which he announces that he is self-publishing his new short story collection.

Cory is offering the book in four different options: a paperback from Lulu ($18), an audio book ($10/$5.50), an electronic version (free), and a limited edition, bespoke hardback ($275).

In all likelihood, when I'm finished revising my novel, I'll self-publish it. This is for a variety of reasons, but increasingly it seems that allowing a corporate entity to publish your work is tantamount to handing your wallet to a stranger on the train.

The limited edition format is closest to the publishing model I'm considering pursuing with my novel. There are other options, but I feel that one is the most fitting.

In any case, I'll continue to update on these matters as they move forward.

[Video by Clayton Cubitt]

Monday, December 6, 2010

Letters from Johns, an update


From January 2008 to January 2009, I conducted an online experiment called Letters from Johns. Why do some men pay for sex? I put out a call for letters from men about why they sought out prostitutes. Over that year, I published 51 letters. Recently, I heard from one of those johns. His original letter: "I Was Smitten." I asked him for an update.
Two years ago, I responded to the "Letters from Johns" project because it gave me an opportunity to finally tell a secret. Reading over some of the other men’s letters, I sensed a lot of shame and self-hatred, but those weren’t the reasons I had always kept my involvement with providers to myself. As I detailed in my letter, I was more worried about the social and family implications, which came to a head when I started actually falling for one of my providers.

Looking back over my letter now, it reads more melancholy than I meant for it to. My time with providers was actually a lot more thrilling and adventurous than I related. And it wasn’t just about skilled sexual technique, but also about being with a lot of different kinds of women, with different kinds of erotic energy. And while it’s true that providers perhaps contributed to somewhat unrealistic expectations for my "real" girlfriends’ sexual prowess, it’s also true that they taught me a lot about how to please different kinds of women.

Being with a provider was never a one-way street. I only felt like the hour was satisfying if I knew she had gotten off, too. I’ve always thought that men who can be duped by a fake orgasm have no idea what they’re doing; a woman can’t really fake vaginal convulsions, copious lubrication, or rapid, full-body shudders. And there are as many different ways to make a woman come as there are women. Providers showed me how to be rough without actually being violent, how to go slow without being a wuss, how to direct sex even when being more submissive.

Ironically, I haven’t been with a provider since I wrote my "Letter from a John." Instead, I’ve been in two monogamous relationships with a few one-night-stands in between. I wonder if, by writing the letter, I released myself from the fascination with/romanticizing of the special charms of providers. I occasionally look at the local escort review board to see who’s new, but I haven’t made contact with anyone. My current girlfriend is as sexually experienced and skilled as anyone I’ve been with, so that may be part of it. Or maybe I’ve just gotten whoring out of my system.

I’ve also grown to wish that I didn’t have to keep this part of my history a secret anymore. Recently, my girlfriend asked me if I’d ever paid for sex, and I said "No" without thinking twice. She’s somewhat jealous as it is, and I knew that telling her the truth would be a recipe for disaster. Some small part of me thinks that, ultimately, the perfect partner for me would who be a woman who knows, accepts, and is maybe even turned on by my former experiences with providers. This feels like a tall order; I’m guessing that I will always keep my secret to myself.
[Letters from Johns]

Thursday, December 2, 2010

The burlesque queen


I interviewed and photographed burlesque dancer Jolie Goodnight for the Austin Post.
Burlesque as social commentary dates as far back as Chaucer's Canterbury Tales, but in the first half of the 20th century, stripteases spawned by Moulin Rouge dancers commingled with American vaudeville to create a whole new type of show that was bawdy, comic, and sensual. In recent years, the New Burlesque movement has resurrected this lost art, one in which pasties and feather fans are key, the slow removal of over-the-elbow gloves is absolutely necessary, and a sexy girl on stage may remove most of her clothes, but she'll tease you by not showing you everything.
More photos here. (Your Flickr SafeSearch should be turned off.)

[Meet Jolie Goodnight, Burlesque Dancer]

Wednesday, November 24, 2010

The B-boys of the San Fernando Valley


I've got another new post up at Thought Catalog: "The B-Boys of the San Fernando Valley."
Every so often, I go back and look at these photos. I don’t know why. They’re so weird. Who are these men? Why did this one guy think it would be a good idea to wear a wig and a fake mustache? To hide his identity from the camera, sure, but why the Parisian waiter ’stache? And what about the other guy? He looks like his name is Robert, and maybe he lives in Sunland, and he overheard two guys talking about this at Lowe’s, and he knew he had to be there, that he couldn’t live the rest of his life knowing about this but not having done this, and his wife, Doris, is playing bridge with her friend, so what does she care?
[Read it]

Tuesday, October 26, 2010

Looking for strippers


I'm doing a story on Austin, Texas-based strippers for a site. If you know of someone, or know someone who may know of someone, let me know.

[email]

Tuesday, October 19, 2010

The numbers on self-publishing long form journalism [updated]


A year ago, I self-published a 10,000-word story on how the recession had impacted the adult movie industry, "They Shoot Porn Stars, Don't They?"

In April of 2009, I had spent a week in Los Angeles, interviewing adult performers and visiting adult movie sets. The story had been written for a publication, but after filing it, I had pulled it. I had done so for a variety of reasons, among them that I realized early on that I did not believe the editor was going to run the piece as I felt it should be run and that in that process I would lose control over the piece.

Initially, I shopped the story around to other publications, but all passed on publishing it. After that, I sat on the story for a while, unsure what to do. Ultimately, I decided to publish it myself. I hired designer and illustrator Chris Bishop, who I had worked with previously, to build and design the site. It would also feature photographs that I had taken while working on the story in the San Fernando Valley. And I hired Joanne Hinkel to copy edit the story.

On October 13, 2009, the site launched.
  • On the 13th, there were 8,960 visitors.
  • On the 14th, there were 18,217 visitors.
  • On the 15th, there were 11,268 visitors.
  • On the 16th, there were 11,318 visitors.
  • On the 17th, there were 23,817 visitors.
  • On the 18th, there were 20,021 visitors.
  • On the 19th, there were 14,988 visitors.
I received more email responses to this story than anything else I've published. The emails were overwhelmingly positive. People also seemed to respond positively to the fact that it had been self-published. I believe that people gathered it was a labor of love. There was no charge to read it. There was no advertising. It wasn't one more piece of content being sold in service of a brand. It wasn't one more story masquerading as a platform for advertising content.

Boing Boing called the story "bold and ambitious." Warren Ellis deemed it "brilliant." A commenter on Metafilter wrote, "Ms. Breslin has changed the way I think about the business of making pornography."

The numbers, according to Google Analytics, since the story was published:
  • Visits: 275,933
  • Unique Visitors: 219,153
  • Page Views: 1,249,042
  • Average Page Views: 4.53
  • Average Time on Site: 7:18
  • Bounce Rate: 22.83%
The majority of visitors are from the US, followed by Germany, Canada, the UK, and France. Others come from Trinidad, Congo, Iraq, Kazakhstan, and Papau New Guinea, among 197 other countries and territories. The most common search terms include "they shoot stars," "susannah breslin," and "porn stars."

Based on the numbers and the response, I feel this act of self-publishing was a success. But for me, it was more about being able to present my story the way it should be presented. Most people have no experience with the adult industry, and it never made sense to me why I should let an editor, a publication, or the insidious effects of a marketing department dictate the terms of my work. By retaining complete control over the story, I was able to maintain complete control over the truth of the story. And to me, that's what mattered in the end.

Update: I sent Glenn Reynolds of Instapundit a link to this story, to which he responded, "But how does it pay?" To which I responded, "Let me know when you figure that one out."

Of course, this is a question everyone is attempting to answering in journalism today, and I don't know the answer. For this story, generating advertising revenue would have been tricky, based on the explicit nature of the content. I published this story at a loss, financially speaking. I paid for the trip to Los Angeles and the cost of self-publishing.

My goal in this instance was to experiment with self-publishing. Would people read it? Would I enjoy the process? One year later, would I feel a sense of satisfaction and/or accomplishment? The answer to all those questions is yes.

It's also possible that the story did help me generate income indirectly. It certainly sent more visitors to my blog, it enabled me to showcase my abilities as a journalist, and I occasionally send it out as a sample clip in the process of securing other paid writing work.

Frankly, I feel like asking how it pays is beside the point. It paid me in non-monetary ways. Oftentimes, paid work degrades. This work inspired. That was pay enough for me at this juncture.

Considering how shitty much of the content generated online is these days, I felt relieved to be off the money track, a road that can lead to a real lack that goes beyond money.

Update 2:
Ms. Breslin:

I read your article on They Shoot Porn Stars, Don't They? with some personal interest; I had considered getting involved in the production & sales end of the business at one point in my life, and these days I'm looking at doing a book on [redacted]. I hope I'm not the hundredth reader to ask this, but what stopped you from putting a Paypal link on that web page and asking readers to throw you some cash if they liked the story or found it interesting? There's damn little objective reporting on the porn business, as you know all too well, and even if the book publishers don't think the story will sell, you have hundreds of thousands of people that prove otherwise. There was also the possibility of putting up Google ads or links to appropriate products from Amazon.

Finally, e-books are beginning to form a distinct market out there, and authors are beginning to get their work out to Kindle and Nook and iPad owners without having to get bent over by Random House/Bertelsmann/whoever to do it. I know I'd pay 4-5 bucks to see your story in e-book form, and more to see a longer version.

I understand that your main thing is researching and writing, not fighting with your website to get some widget to work right so it can maybe throw you a couple bucks, but there are journalists making the freelance online thing work. Michael Yon is just one example; surely if he can attract a large enough body of readers to support him flying off to Afghanistan and other craphole Third World places to report on the wars, you can attract enough readers to keep casting a cold, objective eye on the porn biz. Good luck to you, whatever you decide to do; know that you have at least one reader who wants to see more and wouldn't mind paying for it.

Best wishes,
[Redacted]
I've received two emails since this post ran this morning asking this same question. Why didn't I post a PayPal link with the story or otherwise attempt to monetize it? It's a valid question, and there are a few answers.

I know I considered doing so, but ultimately decided against it. Simply, I was exhausted by book publishers, by literary agents, by editors, and the endless questions of monetization, which were just that, questions, not answers, and I believed that in order to find answers I had to take action. I didn't want to figure out how much to charge through PayPal, write copy attempting to get people to pay for the pleasure of reading the story, and, most importantly, I didn't want financial concerns to toxify this experience. I was lucky enough to have a day job as an editor that afforded me that luxury. It was a gift. Instead of sitting around thinking about monetizing my writing, I wanted to write, to publish, to create. So, I did.
Because the fundamental thing each of the speakers has in common, the one possible mistake they're all making, the one variable they refuse to consider is the possibility that other people might do what they do, for no pay. -- Dave Winer
That said, and that goal met, I would like to experiment with creating this kind of work and generating income from it. But I think I had to separate the two in my head, before I could begin to figure out how to do the two together.

Also, it's interesting to note that both emails referenced Michael Yon, of whom I am a fan. The monetizing is the parallel, but I find it amusing there may also be a parallel between writing about the porn industry and writing about life in a war zone.